Makin' the Headlines

Hey everyone! The month of February was uber-crazy, but I'm back, with a few updates on my latest creative endeavors!

GIRL POWER RE-VISITED :: an evening with the Spice Girls

Can I let you in on my guilty pleasure? I was among the esteemed privileged to see the Spice Girls during their final (?) Reunion Tour at the Verizon Center in DC, on 21 February 2008. If you put two and two together, you will realize that I was an original Spice Girls' fan in their heyday of the late 1990s and, as a shy/insecure teenager, would not have even considered doing half the crazy things I've done in my life if it weren't for their endless promoting of the GIRL POWER slogan. The show was extraordinary [and worth every $ paid], like a post-modern Broadway musical, with its many set/costume changes and special effects. It was a celebration of each individual Spice Girl and what she had accomplished over the years, as well as a tribute to their families and loyal fans. Highlights included the Posh Catwalk, Mel B's Lenny solo, Mel C's powerhouse solo performance of "I Turn to You" and last but certainly not least, the confetti pour down at the end of the show. I was able to get some really good concert photos from my 33rd row seat, and got some published on this Toronto-based online magazine called Now Public. Those photos can be viewed here, along with my album on Flickr.

And speaking of photos....


PROJECT 365 :: UPDATE UPDATE!!!

It's still alive and kickin*... taking a photo of yourself (or some part of yourself) every day for a year is serious business, but it has allowed me to stretch my creativity in unimaginable ways. Click here to see my progress, and enjoy the photo below which was taken on Leap Year Day 2008! Digital photography is amazing!


Finally...

My friend Emily and I recently got accepted to present our research [to be conducted, that is] at the Transforming Museums Conference in Seattle this May! Unfortunately, she won't be able to make it so it'll just be yours truly at the poster presentation. We're discussing curating methods in an era where art is solely considered the commodity and nothing of intrinsic value, so stay tuned for more ramblings about said topic to come.

Stay ARTSY, and make room for creativity in your life!

transforming museums

In light of the holidays, I thought I'd take a break from blogging about NKG's artists and include a portion of thoughts that I've brainstormed for several upcoming paper proposals that my friend Emily and I are working on - the most recent being for the Transforming Museums conference that is due in less than 3 weeks. Feedback or any kind of constructive commenting is greatly appreciated as I piece this abstract together [that means YOU, the reader, has to comment and comment well]. Happy Holidays!

:: TOPIC ::

How do we transform museums? By putting together unconventional exhibits and display art that goes against the norm of typical museum practices – to have a healthy dose of resonance and wonder, to educate people, to address to the general public questions that are “politically incorrect”, that forces them to think outside the box, to tell the truth when presenting historical exhibits (such as the history of colonization), to extend beyond the visual interpretation and cater to all five senses of our human existence, to question the museum as a space and use it for other (more meaningful) purposes

Who is leading these transformations? Museums in the UK and Europe, and also in Asia. Most definitely NOT in the United States (although some can allude influence given in place such as NYC, Miami and California)... mostly contemporary art museums, though I believe this can also exist in other museums. The V&A in London is a great example of this. The Venice Biennale is an eve better example, though not a museum, was amazing in adhering to all of these transformations.

How do we define transformation? Transformation in museums perpetuates when these age-old institutions stops being “a colossal mirror where man finds himself literally an object of wonder” and visitors begin to experience liminality (which, characterized by ambiguity, openness, and indeterminacy, can also be denoted as a period of transition, during which your ordinary limits to self-understanding, thought and behavior are relaxed) in the changes that are taking place.

Why are these transformations taking place? Because people like ME are sick and tired of seeing the same, boring, "Blockbuster" exhibits in museums worldwide… because art that thinks outside the box does no longer exists as a painting on the wall… because the mission of contemporary art is to act not only as a creative (or not so creative) form of human expression, but a catalyst to ask questions, to seek answers, to respond, to experiment, to instill meaning (or lack thereof) and to create a fluidity of meaning in order to exploit some kind of physical representation that links both the viewer and creator of the artwork together. On the international level, it is also accurate to state that contemporary art takes an even bigger risk not only in unconventional media, but also in subject matter that might be highly offensive to the general public (usually having to do with nudity, politics, religion, homosexuality and horrific events in history of humanity – wars, slavery, famines, genocide)… and because it makes things more interesting, as a breath of fresh air is always needed.

Are there discernible patterns in this change? There better be. It’s all a matter of time and how much money people have to re-create museums, and the response of the audience of course… as well as how many risks museums are willing to take without losing the sponsorship of their patrons.